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Image source: Cassina — Ombra Armchair

© Cassina and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research.

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Cassina iMaestri Collection Collection

Ombra Armchair

Perriand's 1953 armchair: a chromium-plated steel-plate frame and two cushions set at right angles.

Dimensions

700 × 640 × 820 mm

Year

1953

Approx. $3,500 (reference price; varies by region and retailer)

Materials
Steel plate, polished chromium-platedPolyurethane foam of differentiated densityResin-bonded polyester paddingQuilted fabric or leather upholsteryAdhesive felt pads
Finishes
Polished chrome
Style
Minimalist

Official product information

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Specifying Ombra Armchair for your design project?

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Description

Overview

Ombra is an armchair by Charlotte Perriand. The Cassina page presents it as an armchair giving extreme comfort in a sleek shape, built from a steel plate frame and two cushions placed perpendicular to each other.

Construction

The sheet lists a steel-plate frame with a polished chromium-plated finish, cushions padded with differentiated-density polyurethane foam and resin-bonded polyester padding with cloth, quilted fabric or quilted leather upholstery, and adhesive felt pads on the feet.

Close view of the seat and back cushions above an angled legImage source: Cassina — Ombra Armchair · © Cassina and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research. · View official product page ↗ · Image use & copyright policy

Specifications

  • Code 512 01: 70 cm wide, 82 cm deep, 64 cm high on the sheet (65 cm on the page drawing)
  • Frame: steel plate, polished chrome finish
  • Upholstery: 12 fabric ranges and 5 leather ranges, 213 colours

Story

From Ombra Tokyo

The sheet says Perriand designed Ombra in 1953, taking as her reference her Ombra Tokyo chair of about the same time, made with curved plywood. The name is the Italian word for shadow, and the sheet describes an interplay between the object and its shadow.

Maximum function, minimal structure

According to the sheet, the piece expresses her aesthetic of maximum function with minimal structure, and the strict geometry of seat and back lets the elements slot into one another so that they read as one continuous piece. Cassina re-issued the armchair "in full respect of the original concept".

More by Charlotte Perriand

Collection

Cassina iMaestri Collection

Cassina's iMaestri Collection, begun in 1965 with Le Corbusier, Pierre Jeanneret and Charlotte Perriand, since joined by Rietveld, Albini, Ponti and Eames.

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