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Image source: Cassina — Mexique Low Table

© Cassina and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research.

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Cassina iMaestri Collection Collection

Mexique Low Table

Charlotte Perriand's low Mexique table of 1956: 118 x 80 cm, oak or walnut top, metal legs.

Dimensions

1180 × 450 × 800 mm

Year

1956

Materials
Solid oakCanaletto walnutPainted metalBlack plastic feet
Finishes
Matte anthracite painted aluminiumAmerican walnutBlack stained oakNatural oak
Colors
Natural oakBlack stained oakAmerican walnutMatte anthracite painted aluminium

Official product information

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Description

Overview

Mexique Low Table is the low version of Charlotte Perriand's Mexique table. The page headline gives 1952; the sheet dates the low version to 1956, which is taken as its design year.

Construction

The sheet describes a top in solid oak or canaletto walnut with a painted transparent matte finish, a base in metal painted matte anthracite and black plastic feet.

Four low tables with rounded triangular tops in different colours on a white backgroundImage source: Cassina — Mexique Low Table · © Cassina and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research. · View official product page ↗ · Image use & copyright policy

Specifications

  • 527 Q0: 118 x 80 cm, 38 cm high
  • 527 Q1: 118 x 80 cm, 45 cm high
  • 527 P0 / P1 Electrified: same sizes with integrated power access and two USB ports per side

Story

A low version for Galerie Steph Simon

The sheet says a low version was made in 1956 for the Paris gallery of Steph Simon, after the wooden legs of the table had been replaced in 1952.

Grouped arrangements

The page says the low tables occupy as little space as possible and can be grouped with several of their kind; on the sheet, the different leg lengths are what allows free-form groupings.

More by Charlotte Perriand

Collection

Cassina iMaestri Collection

Cassina's iMaestri Collection, begun in 1965 with Le Corbusier, Pierre Jeanneret and Charlotte Perriand, since joined by Rietveld, Albini, Ponti and Eames.

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