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Image source: Poltrona Frau — Othello Rectangular Table

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Othello Rectangular Table

Othello rectangular table by Roberto Lazzeroni: solid ash supports, marble or smoked glass top.

Dimensions

2600 × 745 × 1100 mm

Materials
Solid ash base with a triangular cross sectionMarble top, 2 cm thickTempered smoked grey glass top, 1.2 cm thickTechnical mesh under the marbleHPL undertop (marble tops only)Stainless-steel spacers (glass top)
Finishes
Ash stained wenge baseMoka stained ash baseBrilliant marble finishSemi-brilliant marble finishDiamond-cut brilliant edge
Colors
Calacatta marbleArabescato Venato marbleFior di Pesco marbleSmoked grey glass

Official product information

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Description

Overview

Roberto Lazzeroni drew the Othello Rectangular Table as a contrast: supports that have the presence of a geometric sculpture below a top that is soft and curvilinear, in marble or in light, semi-transparent smoked glass.

Construction

  • Base: supports of solid ash whose section is triangular and sharp-edged, stained wenge or moka
  • Marble top: 2 cm marble, brilliant or semi-brilliant, backed by a technical mesh and an HPL undertop
  • Glass top: tempered smoked grey glass, 1.2 cm thick, joined to the base with visible stainless-steel spacers
  • Edge: a diamond cut around the perimeter of the top, which picks up the triangular section of the supports

Specifications

  • Overall size: 260 x 110 x 74.5 cm (5626620)

Story

Supports as sculpture

This table stands on supports of solid ash, cut to a triangular section with sharp edges. The brand compares their presence to a geometric sculpture, and a diamond-cut detail along the top picks up the same angular profile.

Wood with stone or glass

Othello begins where pure, natural materials meet: skilfully worked wood set beside stone or glass, so that decoration becomes unnecessary. Lazzeroni looks back to the building discipline of Italian design from the 1950s and 60s. On this table the soft, curvilinear top is marble in several finishes, or light and semi-transparent smoked glass, which brings out the architectural solidity of the supports.

More by Roberto Lazzeroni

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