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Image source: Minotti — Andrée

© Minotti and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research.

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Andrée

A tiled coffee table range framed by polished metal and rooted in Milanese geometry.

Dimensions

1670 × 240 × 930 mm

Materials
Glazed ceramicFibreglass-reinforced rigid polystyreneChrome-plated brassMDFBrushed ash veneerPalisander Santos veneerSolid Canaletto walnutFelt
Finishes
GlazedChrome platedOpen-pore lacquerGlossy polyester lacquerLight Brown stain
Colors
BlackPuttyGreenCortenLicoriceLight BrownChrome
Style
DecorativeGeometric

Official product information

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Description

Representative rectangular table

The selected technical-sheet model measures 167 × 93 × H24 cm. The same footprint is also offered at H36 cm; Andrée further includes square tables and compact hexagonal prisms.

Hand-finished tile surface

Rectangular and square structures use fibreglass-reinforced rigid polystyrene panels clad in glazed ceramic tiles. The sheet notes that tile and joint variation is inherent to the manual process.

Framed edge and recessed support

A chrome-plated brass profile outlines the perimeter. Solid Canaletto walnut legs are recessed beneath the rectangular and square versions and include adjustable feet and felt glides.

Story

Milanese facade reference

Hannes Peer drew Andrée from the facades of 1970s Milanese architecture. The official page contrasts its rigorous geometry with the changing surface of glazed ceramic tile.

Andrée rectangular coffee table shown at low heightImage source: Minotti — Andrée · © Minotti and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research. · View official product page ↗ · Image use & copyright policy

Three geometric families

The sheet separates hexagonal prisms from square and rectangular coffee tables. Across the range, polished metal lines contain the tiled planes, while the manual ceramic work allows small differences in glaze, joint alignment and tile dimensions.

More by Hannes Peer

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