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Image source: Minotti — Warhol Iroko Nature

© Minotti and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research.

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Warhol Iroko Nature

Warhol Iroko Nature: Minotti's outdoor armchair in solid iroko with a natural finish

Dimensions

700 × 770 × 750 mm

Materials
Solid irokoMetal frameSynthetic rubber and polypropylene strapsHigh-density polyurethane foamPolyester liningStainless steel tipsRubber protection
Finishes
Iroko, natural finish

Official product information

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Description

Overview

The Warhol Iroko Nature is a Minotti outdoor armchair by Rodolfo Dordoni with Roberto Minotti design. It has a natural iroko finish and is an essential and compact volume softened by enveloping upholstery.

Three-quarter view of the armchair on whiteImage source: Minotti — Warhol Iroko Nature · © Minotti and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research. · View official product page ↗ · Image use & copyright policy

Construction

  • Structure of solid iroko, 120 x 35 mm, natural finish, kiln-dried
  • Machined on CNC machines, with mitred joints assembled at 45 degrees and finished by hand
  • Iroko treated with a varnish that is highly UV protective and weather-resistant
  • Second metal frame varnished for outdoor use, with woven exterior elastic straps in synthetic rubber and polypropylene resistant to UV damage
  • Seat and backrest cushions padded in high-density polyurethane foam with a water-repellent, eco-friendly fabric cover, encased in a waterproof polyester lining
  • Fully removable cushion covers, stainless steel tips and rubber protection

Specifications

  • Armchair: W 70 x D 75 x H 77 cm

Story

Iroko that matures outdoors

The natural iroko finish matures over time and acquires warm tones and complements a timeless piece that can age in the open air. Ageing is a natural and fairly rapid process that tends to make iroko more homogeneous.

Colour and veining of solid wood

Like most kinds of wood, iroko does not have uniform colour and veining, so nuances of colour that are not perfectly harmonious can appear. These nuances are a valuable asset of solid wood rather than a defect, and the initial shade can differ noticeably with geographic location after sun exposure and ageing.

More by Rodolfo Dordoni

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