Image source: Moroso — Sedona Edge
© Moroso and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research.
Sedona Edge
Sedona Edge bed by Patricia Urquiola for Moroso: tone-on-tone faux fur edging on the headboard
2360 × 940 × 2330 mm
Official product information
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Description
Overview
Sedona Edge is a bed by Patricia Urquiola for Moroso that changes the profile of the headboard. A tone-on-tone faux fur edging runs round it.
Construction
The headboard is built around a Polimex core fitted with soft polyurethane inserts. Beneath the mattress, layered wooden panels padded in soft polyurethane make the frame; steel supports lacquered black sit at the corners, and the feet are polypropylene. The covers come off completely.
Specifications
- Overall size: W 2360 x D 2330 x H 940 mm (SE3177, bed 180)
- Edging: tone-on-tone faux fur on the headboard profile
- Headboard core: Polimex, with soft inserts
- Frame: layered wooden panels, padded
- Covers: come off completely
Story
An edge that shapes softness
Sedona Edge is a variation on the Sedona bed. Along the headboard profile, where seams and structural transitions normally sit, a tone-on-tone edging echoing the main upholstery takes their place. The edging is built into the construction, so the trim is part of how the silhouette is formed and not only a finishing detail.
Depth and lightness
The form keeps its clarity while the perimeter gains depth and lightness, and the edging softens the straight lines of the volume. It creates a more intimate, welcoming atmosphere in the sleeping area.
More by Patricia Urquiola

Mafalda Armchair
Mafalda armchair by Patricia Urquiola, 2013, with foam over a steel frame and an oak base

Hollow Armchair
Armchair in two drawn sizes with a plastic shell and steel feet, by Patricia Urquiola, 2006

Husk Armchair
Swivel armchair with a recycled Hirek shell and extra-soft capitonné cushions

Dudet Armchair
Patricia Urquiola's Dudet Armchair, 2024: sinuous tubular supports around a roomy seat cushion.

