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Image source: Poltrona Frau — Martha Armchair

© Poltrona Frau and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research.

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Martha Armchair

An open moulded shell, floating backrest and ash trestle balance shelter with visual lightness.

Dimensions

740 × 730 × 770 mm

Materials
Moulded rigid polyurethane shellPolyurethane foamPolyester waddingSolid ash baseSaddle Extra leather exteriorPelle Frau® leather or fabric interior
Finishes
Wenge-stained ashMoka-stained ashNatural ash
Colors
WengeMokaNatural ash
Style
ModernSinuousMaterial contrast

Official product information

INTEBEE AI PUBLIC LIBRARY is an independent furniture design research and discovery platform. Product specifications, finishes, availability and other details may change. For current and definitive information, please refer to the manufacturer's official website.

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Description

Overview

Roberto Lazzeroni’s Martha armchair pairs a sinuous open shell with a curved backrest that appears suspended above it. The seat slopes slightly rearward, and a removable cushion completes the upholstered interior.

Construction

The two-part shell is moulded rigid polyurethane. Soft moulded polyurethane, polyester wadding and polyurethane foam form the inner back, seat and cushion. A triangular-section trestle and four legs are made from solid ash.

Specifications

  • Model: 5646111
  • Largest drawing values, not labelled with axes: 74 × 77 × 73 cm
  • Exterior: Saddle Extra leather
  • Interior: Pelle Frau® leather or fabric
  • Certification: FSC® 100% for eligible leather-and-fabric combinations described in the sheet

Story

A shell that stays open

Poltrona Frau describes Martha as almost a capsule: it receives and protects without closing in. Lazzeroni forms the seat and armrests as one outward-opening line, then holds the softly curved back above the shell with a concealed attachment.

Contrast as a design tool

The design deliberately places a firm outer casing against a softer inner surface. Hand-finished visible stitching marks the meeting of those materials, while the ash support keeps the upholstered volume clear of the floor.

More by Roberto Lazzeroni

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