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Kim / Kim S.H. Armchair

Citterio's 2025 Kim armchair: a hand-finished solid wood frame with a woven paper rush cord seat

Dimensions

630 × 760 × 600 mm

Seat / Notes

Source: spec sheet PDF — COD. 02D421 armchair, paper rush cord (02D422 S.H. cord identical) — published as W 63 × D 60 × H 76 cm

Year

2025

Materials
Solid Canaletto walnut, ash, oak or wenge structureWoven paper rush cordMetal frame in the backrestWoven cowhide check pattern (S.H. Cord version)Thermoplastic tips
Finishes
Walnut raw-wood effectWalnut naturalWalnut stained (extra finish)Ash naturalAsh stained walnutAsh stained teakAsh stained wengeAsh stained brownAsh stained ebonyOak raw-wood effectWenge raw-wood effect
Colors
Natural 5002Grey 5003Dark brown 5004Black 5005Olive 5006Tobacco 5015Linen 5019Mole 5020Chestnut 5021
Official page

Description

Overview

Kim armchair, designed by Antonio Citterio and dated 2025 by Flexform, which marks it New. A solid wood structure, finished by hand, holds a woven-cord seat and backrest; a Kim S.H. Cord version weaves a check pattern in cowhide instead.

Construction

Structure in solid Canaletto walnut, ash, oak or wenge; woven paper rush cord with a metal frame in the backrest; feet on thermoplastic tips. The S.H. Cord version has a woven check pattern in cowhide in nine colours.

Armchair with an open woven seat and back on a wooden frame, plain background

Specifications

  • Design year: 2025
  • Code 02D421 (paper rush cord) and 02D422 (S.H. cord): Largest drawing values, not labelled with axes: 63, 60 and 76 cm (24 13/16, 23 5/8 and 29 29/32 in)

Story

Austerity and craft

Flexform says the Kim armchair grew out of the convergence between aesthetic austerity and fine artisan craftsmanship, which it calls trademark traits of Antonio Citterio's work for the brand.

Wood against cord

The page sets a robust, hand-finished solid wood structure against the lightness of a woven-cord seat and backrest, a skill it says epitomises Italian manufacturing tradition. It lists living room and bedroom, in residential as well as hospitality spaces.

More by Antonio Citterio

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