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Harry

Two- and three-seater sofa on aluminium feet, in three sizes, by Antonio Citterio, 1995

Dimensions

2500 × 820 × 950 mm

Seat / Notes

Source: technical drawing image — H250 sofa — published as W 250 × D 95 × H 82 cm

Year

1995

Materials
Tubular steel and steel profiles (inner frame)Flexible cold shaped polyurethane foam with polyester fibre cover (frame upholstery)Shaped polyurethane of different density, sterilized down, cotton cover (seat cushion)Shaped polyurethane, sterilized down, polyester fibre, cotton cover (back cushion)Aluminium sheet and extrusions (feet)Fabric or leather (cover)
Finishes
Bright brushed
Colors
Bright brushed
Official page

Description

Overview

Harry (1995, Antonio Citterio) is, in B&B Italia's description, a classic yet contemporary sofa with an apparently simple form. It comes in three sizes, as a two-seater and a three-seater, and its distinctive trait is the aluminium feet.

Construction

  • Core: steel tubes and profiles, with a polyester-fibre cover over cold-shaped flexible polyurethane foam
  • Seat cushion: sterilized down with shaped polyurethane in different densities, cotton cover
  • Back cushion: shaped polyurethane, sterilized down and polyester fibre, cotton cover
  • Feet: aluminium sheet and extrusions; the front feet stand 11 cm (4 3/8 in) and the rear feet 7.5 cm (3 in) above the floor
  • Cover: fabric or leather

Specifications

  • H250: Largest drawing values, not labelled with axes: 250, 95 and 82 cm

Story

One detail changed

Citterio tells the story of Harry as a series of tradition-bound sofas that lacked something. In his account the answer was a single modified detail, the aluminium foot, which gave the product a sense of lightness and moved it from tradition towards a modern product.

A sofa in a wide-format official picture

Named after Bertoia

Harry takes its name from Harry Bertoia, one of the great masters of design, in line with Citterio's habit of naming his creations after famous designers of the past. The concept text says the sofa gives value to an apparently simple form while calling attention to the furniture foot.

More by Antonio Citterio

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