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Image source: Thonet — 209 Bentwood Chair

© Thonet and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research.

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209 Bentwood Chair

Thonet's bentwood armchair of 1900, its back and arms bent from a single piece of beech.

Dimensions

540 × 750 × 570 mm

Year

1900

Origin

Germany

Materials
Solid beech (bentwood)Canework with supporting synthetic mesh
Finishes
Beech clear varnishedBeech stained brightenedBeech stained walnutBeech stained cherryBeech stained mahoganyBeech stained dark brownBeech stained black
Colors
Natural beechBrightenedWalnutCherryMahoganyDark brownBlack
Style
Bentwood

Official product information

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Description

Overview

The 209 is a bentwood armchair credited on Thonet's page to Gebrüder Thonet, 1900. A single bent piece of solid beech forms both backrest and armrest, and the seat is canework with supporting synthetic mesh. Thonet notes that, like the original model 214, it consists of only six parts.

Construction

The projecting frame, which forms back and armrest in one, is bent from one length of solid beech wood. The brochure lists the frame wood as beech, clear varnished or stained in six colours, and the seat weave as canework on a synthetic support mesh, also offered in a dark melange. The 209 P has an upholstered seat; the related 210 R and 210 P have a different back.

Specifications

  • Dimensions (209): W 54 cm x D 57 cm x H 75 cm
  • Seat height: 46 cm
  • Armrest height: 70 cm
  • Weight: 3.5 kg
  • Made in: Frankenberg, Germany

Story

One bent frame

Thonet calls the 209 a masterpiece of construction and production: the frame that carries back and arms is bent in one piece from solid beech, and, like no. 214, the chair needs only six parts. The company adds that its reduced, organic form makes it look almost like a sculpture.

Six bentwood armchairs with canework seats around a long table in a room with large windowsImage source: Thonet — 209 Bentwood Chair · © Thonet and the respective rights holders. Quoted to accompany INTEBEE's independent design commentary and research. · View official product page ↗ · Image use & copyright policy

Le Corbusier's choice

Thonet writes that the Swiss architect Le Corbusier was fascinated by the chair and used it in many of his buildings, among them the Weissenhof Estate in Stuttgart in 1927, and that he remarked of it that it "possesses nobility." The page dates the chair to 1900 and credits Gebrüder Thonet, the Vienna firm that Michael Thonet's sons joined in 1853.

More by Gebrüder Thonet

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